Song of Surrender

Tuesday, 22 August 2017

Gopikrishna


22.8.1935-1994

Birthdays & Anniversaries


Gopi Krishna was born into a family of kathak dancers. His maternal grandfather Pandit Sukhdev Maharaj was a teacher of Kathak and his aunt Sitara Devi was a Kathak dancer who has performed around the world. When he was 11 years old, Gopi Krishna began training under his grandfather. He also learned from Shambhu Maharaj. In addition to Kathak, Gopi Krishna learned Bharatanatyam from Mahalingam Pillai and Govind Raj Pillai. Receiving the title of "Nataraj" (King of Dancers) at the All Bengal Music Conference at the age of 15.

Renaissance man DR. V. RAGHAVAN

22.8.1908-1979

Birthdays & Anniversaries

The name of Raghavan is a legend in the revival of studies into ancient Indian culture. When our country had lost its memories of the past, Dr. Raghavan brought back the original thoughts. Those of us who had no identity, because of our English education, began to look into the Indian soul through the writings of this man who is more than a Professor of Sanskrit, but perhaps a doyen of renewed consciousness. What has he not taught us: classical music, the most ancient dances and some of the wisdom of the forest books….” This is an excerpt from the felicitation written by famous writer Mulk Raj Anand on the occasion of Dr. V. Raghavan’s 60th birthday in August 1968. It truly sums up the man and his mission whose birth centenary was celebrated for a year starting August 2008.


To read full story, visit sruti.com and buy Sruti 307

Saturday, 19 August 2017

Not enough light on the bani

Random Notes

By V Ramnarayan

Writing in The Hindu, musician Lakshmi Sriram described the presentation on the Dhanammal bani during the recent 150th year celebration of the Carnatic music legend as 'hagiographical.' While there were at least two angry responses to the review from those involved in the celebration, it is difficult not to agree with the reviewer, as the voice-over and slides on the occasion were filled with adjectives and not enough insights into what was unique about the bani. (In fact, at least one disinterested member  of the audience found the whole programme including the panel discussion on the final day hagiographic, though in defence of the panel, it could be said that all of them belonged to the sishya parampara and therefore perhaps partisan). It was a weak defence (on Facebook, where the review was shared by the author) to claim that it was a tribute and not an 'expert analysis'. This claim was refuted by the critic as well as another commenter on Facebook, thus proving the efficacy of social media in providing instant feedback  to critic and reader alike.

The presentation could certainly have gained from a greater explanation of the Dhanammal school in terms of its artistic beliefs, preferences, and stylistics, and also from the presence of a live presenter on stage. I believe that Powerpoint presentations are better served by that rather than a recorded voiceover.

Be that as it may, the presentation, though a sincere effort, lacked in comprehensive coverage through audio and video samples, as for example those missing from T Viswanathan's flute playing, or more representative samples of Balasaraswati's dancing than clips from the well known Satyajit Ray documentary.

I missed the Hariharan-Tiruvarur Girish duet on the opening day. Going on till well  beyond the scheduled closing time, the concert is said to have cast a spell on the audience with its spontaneity and creativity. I have already mentioned the high quality of the other recitals I attended. Chitravina N Ravikiran was in his element and gave a perfect performance conforming to the great standards he has set himself. His disciple  Dr Sivakumar played the veena with commendable skill and dignity, while TM Krishna was in superb form. I must add another outstanding performance to this list: S Sowmya's concert on the final day, which was preceded by a thoughtful and witty valedictory address by Yadav Sankaran, son of the eminent T Sankaran. Sowmya presented the best of her learnings fom T Muktha in a beautifully modulated voice in the authentic style of her guru.

A more detailed post on the programme including the lec-dem by Sriram Parasuram and panel discussion involving him, Ravikiran, Anuradha Sriram, Girish and Aniruddha Knight will follow in the near future.


Rajee Narayan

19.8.1931

Birthdays & Anniversaries

"It was a matter of pride for all South Indians that the government of Maharashtra had chosen to honour guru Rajee Narayan with the Maharashtra Rajya Samskrutik Puraskar for the field of dance for 1996-97.
                       
"Rajee Narayan established her institution Nritya Geethanjali in 1965, when she migrated to Mumbai. Branches of the institution have since been established in Australia, Canada and the US, headed by her disciples. In recognition of her knowledge and experience, she was appointed a member of the dance faculty of the Mumbai University, a position she has held for over 20 years. She has also been a paper-setter and examiner for the BFA and MFA courses of the university through the years."

To learn more, go to www.sruti.com and buy issue 170. Also issues 22 and 73.